The iC elements have a lot of output to drive the early iCOM rigs. 'Bandwidth' control set to a wider setting (say 10), the filter will encompass the audio frequencies from about 100 Hz to 400 Hz. For really beautiful audio, using a studio microphone like the Heil Sound PR 40 or PR 781, connect the microphone via an outboard equalizer like one of the fine products from W2IHY, and then apply the output from the equalizer to pins 2 and 11 of the rear-panel Accessory jack. Second Filter 400 Hz Menu 094 Frequency The supplied hand microphone as ALL hand mics, sounds hollow and mushy. Set audio frequency to 1 kHz. The mid frequency is very important. I used a PROC level of 25 and the mic gain to the 11 o'clock position. CUT that filter -15 dB Menu 092 Notch or Boost For most, roll off the low end by setting the first filter at 200 Hz. Notch or Boost. Well, being a former sound engineer, I have problems with these settings. In the amateur radio field we aren't dealing with music material but the adjustment affects voice the same way. Finally, if you have the ability to select the SSB bandwidth of the monitor receiver, set it as wide as possible. We discussed the built in EQ on the FT-950. This voltage must be blocked for use of Heil Sound dynamic elements. Follow the instructions on pages 28 and 29 of the K3 Operating Manual. The 'all controls set to 70% of maximum' mentality has been there all along, but the changeover from v.t. Transmitter IMD specifications on most amateur transceivers were never all that great. With my Heil GM-5 I has the mic gain on the FT-950 set at 14 percent. Great receiver, full coverage .3 to 30 mHz, works great on AM, the digital modes, a terrific CW transceiver, DSP, etc. #1. All of my homebrew mic adapters connect both the mic cable shield and the footswitch ground lead to the shell of the 8-pin connector instead of the mic ground and PTT ground pins. No apparent reason but it is true. Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. are particularly well suited for these rigs, and particularly so in the case of the FT-950. In each of the audio bands (low, mid, and high-frequency areas), you can set the center frequency, amplitude, and bandwidth of equalization. Once you get the Wide bandwidth set, press and hold in the COMP key to try the MID bandwidth, then the NAR bandwidth. Again YOU have to make the final decision by listening to your own signal. The Heil cable CC-1 XLR-BAL (with an ORANGE, not traditional Yellow boot for early models) connects our balanced output microphone into the balanced input and will help reduce any RFI issues. If you need any help, we are glad to assist you with writing your article based on the information you supply. For instance, with my Kenwood TS-2000: it produces a lot of harmonics and sub-harmonics which, when you make a boost around 1kHz, it tends to also make a boost at 500Hz and 2kHz, and those frequencies are very conducive to SSB communications. Remember, you're at 100% duty cycle. Hello all. Now, I will explain how I arrived at these settings which are . The three band parametric EQ in the FT-950 TX audio stage makes using your favorite microphone much easier to interface. The earlier FT series is actually electrically the same point as the front mic in. Again, nice article. The assignment numbers are different but the levels are the same. Well written and thank you for sharing. for different settings and have multiple transmit profiles for quick access. Transmit bandwidth is set at 100 to 2900 Hz so it doesn't cutoff the Eq frequencies. The site will stand above all other ham radio sites by employing the latest technology and professional design/programming standards, developed by a team of community programmers who contribute their skills to the effort. This voltage must be blocked for use of Heil Sound dynamic elements. While speaking into the mic make sure the gain setting does not exceed the ALC limit. W2IHY 8 BAND EQ and EQPlus settings for the Yaesu FTDX-2000. (This includes any inappropriate posts on a topic, as I cannot monitor every topic.) I did have to make an aircraft mic to 1/8 stereo cable. The 7300 is a terrific value. Set EQ1 Frequency to 200 Hz, EQ1 Level to -10, and EQ1 Bandwidth to 1. I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. Set Menu 5-9 (TFIL) to 6.0; set Menu 7-7 (SSB-t option) to 100-3100 Hz for fidelity, 300-3100 Hz for DX work. The answer to making the iC 718 come alive is our iCM, handi mic iC or one of the headsets using only our high output iC. Menu 83 : 3000 (TX bandwidth) . Why not just buy a Goldline series mic and use a GM5 element and save a ton of money? NOW DO NOT FORGET TO SAVE these by holding the menu button for 3 seconds. But forget actual numbers. I would try 200 - 2800 first. Mar 26, 2019. On the GM-4 and GM-5, use only the Narrow element, as the Wide element has too much bass response for this rig. That is usually notched a bit but there are voices that need some energy around 1000Hz attended to and you just have to make that decision by listening and select the midrange parameters. The first thing to set is the frequency that you need to affect. "Yaesu has recently had several reports that the 950 is VERY sensitive to RF. If you are setting for a normal ragchew conversation, you will want a bit wider frequency response of 2.7 kHz 3.1 kHz . I run the gain at 12 o clock, and the switch on the back of the mic to the right when looking at the back of the mic. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affectabout 150 to 250 Hz. The results have been gratifying for DX pileups and contesting. WB Audio Section: K6JRF 04/14/2020 The third control of the filter is either or +. Now go to Menu #30, and select C (Conventional), which will give the audio frequencies above 600Hz a slight (3 dB) boost. SSB-TX-Bandwidth (TX BPF SEL) 100-2900. The mid frequency is very important. Problem solved. Try 200 2800 first. Options abound as how to tweak transmit audio to a precise sound. Set that to 200 to 300 on the low end. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. Option 3 frequently sounds the best, but each option does different things to different voices. Here are three EQ settings for the K3 and KX 3. Save your settings each time. Set Menu 51 (Equalizer) to 1 or 2 for DX work, 3 (best) or 4 for local rag-chews. If you need any help, we are glad to assist you with writing your article based on the information you supply. Third, are the modern designs: 746Pro, 756Pro series, iC-7600, 7700, and 7800. Just put the connector on, and set Mic gain, and tweak the EQ wearing phones and listening to the Moni channel. Already in the battery box is a load resistor & 1 uF capacitor.The headset can be plugged directly into your PC without the battery box. Start by downloading www.audacityteam.org , a free audio software program. INITIAL SETTING OF YAESU Parametric EQ and HEIL PR Microphones. Here are the menu assignments for the FT 950. Generally, the modulators of these rigs want you to roll off bass and enhance treble. To accommodate the low-gain Icom designs, Heil Sound developed a high-quality condenser element, called the iC (for iCOM) in our products designations, that provides the optimum frequency response, impedance, and (most importantly) sufficient gain to drive these earlier rigs. On Yaesu FTDX 3000 (and similar radios), please try the following settings for the compressed mic menus, which are 159 to 176 on the FTDX3000: P-EQ1 FREQ 200 (adjust the low bass freq center point in Hz. "Set filter one to 200 Hz. Yaesu FT-891 Mike Settings I've received over the last three weeks many questions about the microphone settings for the MH-31 that comes with the ever popular FT-891. Now to get acceptable audio spend an almost equal amount of money. Save the file. You may be able to adjust to 100 as long as it doesn't overload and sound too bassy. Oddly, the word gain doesn't appear in the text. For everyday conversation, 100 2900 Hz. Ham Radio . Great article. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. Basically, there are three ranges (low, Mid, and High) for equalization; you can roll off any one of these, peak any one of these, or peak one and roll off another.For DX and Contest work, use selection 9 (this rolls off lows and peaks highs). There is usually some craziness that happens around 400 Hz. With the trend to ever-smaller living spaces RF feedback rears it's ugly head. When using the PR 781 microphone with the FT-950, we recommend you set Menu #65 and #66 (Carrier Shift) to +200 Hz to remove some of the bass response. You would want to start by keeping that bandwidth to the half way point. . Wide is 2.9 kHz. First, are the original zero models: 701, 720, 730, and 740. Another reminder: the FTdx-3000 Menus have two sets of mic equalizer settings. This FTdx3000 page discusses the techniques to attain clean ESSB (Extended SSB) audio by using the INTERNAL parametric EQ settings in the radio and NO EXTERNAL EQ 'boxes'. My settings are as follows; mic gain @ 25, processor is "on" @ 25. Mid is 2.4 kHz and Narrow is 2.1 kHz. The objective is to listen to a signal at a level of about S7 on the monitor receivers S-meter. I ultimately traced it to the headset's mic cable having inadequate shielding (spiral-wrapped fine stranded wire that provided perhaps 70% coverage instead of a braided or aluminized mylar shield). TS 2000Set Menu #21 (TX EQ) to H for DX work, or leave it at C for local rag-chewing; set Menu #22 (Bandwidth) to 3000 Hz. I do want to congratulate the author on achieving the results he desired. Compression: Set for 10 dB on voice peaks on COMP meter. The site will stand above all other ham radio sites by employing the latest technology and professional design/programming standards, developed by a team of community programmers who contribute their skills to the effort. I do want to congratulate the author on achieving the results he desired. You then set the Bandwidth of that filter and finally you tell the filter if is notches (cuts, reduces) or boosts that filter frequency. Now press the down arrow to select SSB TX Tone (Treble), and rotate the main tuning dial to set it to +5. Rag chewers HATE a contest sound and a rag chewer sound doesn't work in a pileup. most 1200s sound terrible. I use Audacity for making contest recordings. For extra assurance as the article states, you can also view the spectrum display or the waveform and compare. FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand Mic N8NK QRP 824 subscribers Subscribe 128 Share 7.8K views 2 years ago FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand. Yes, you have to read the manual! Do you want some big boomy low end? You must listen to yourself through it monitor system or through a nearby receiver and headphones. You will see a frequency analysis of your voice using your mic. Or leave it off. Contact Us. They have lots of bass, no mids, no articulate highs so they end up sounding like mush. Contact the site with comments or questions. Yaesu FTDX-10. The High Boost 2 selection will suppress the lower frequencies, and give you more sparkle on the high side, for good communication-quality audio. M0WBK 1.27K subscribers Subscribe 53K views 9 years ago EQ settings can be hard to get right. FT-920Menu U-59 (TLSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-60 (PROC LSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-62 (T USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-63 (PROC USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-51: Set to OFF initially.1: Mid- and high-frequency emphasis.2: High-frequency emphasis (DX/Contest setting).3: Low- and high-frequency emphasis, dip in middle.4: Wide broadcast setting. Set filter one to 200 Hz. The third control of the filter is either - or +. Transmit filter: Set to WIDE for fidelity, MID for everyday operation, and NAR for DX pile-up busting. Ultimately, though, much of the fun of acquiring a new radio is the experimentation with its many features. These are our recommendations. Key the rig just long enough to take a reading. The first and most important adjustment will be the transmit bandwidth. Set Menu #64 and 65 (TX Carrier Shift) to +.05 to +.10. The next step is to turn off the Noise Blanker and any DSP Noise Reduction systems, as well as any DSP bandwidth or shaping features such as Yaesus Contour control). But we quickly found that our sound was more easily tweaked with the parametric approach than with the all the sound boards we had previously had. Thanks for the article. I had a very bad problem with my Kenwood TS-570SG and MC-60A mike and RF. This EQ system was designed by K6JRF for Jonathan, AI6NA.Since the EQ systems in ALL YAESU radios is the same, it can by used verbatim for those radios. In my case I've added the reference point that I started out from and with some adjustments in the processor I'm at a point where I'm happy and get good reports. However, the process became a hobby in itself. Wrong microphone, not addressing (speaking into) the microphone correctly, too far away from the microphone, too much room echo and a host of other situations. It is impossible for us at Heil Sound to know what settings will sound best on your voice, in your station environment, with your microphone, for your interest (DX, Contest work, rag-chewing, or maximum fidelity) The recommendations below are just starting points; listen to yourself in a separate receiver through headphones to reduce speaker feedback (with its antenna disconnected) to determine what sounds best in your unique situation. FTdx101MP/D EQ Settings ( Bert PA5HR ) - YouTube Now connect your headphones to the monitor receiver. Once you learn how to adjust and use a parametric equalizer you will never go on the air without properly adjusting. However, the process became a hobby in itself. This is pretty cool until you start having RFI problems, but we shall ignore that possibility for now. Great receiver, full coverage 160 through 6 meters. If you set the Bandwidth control of the Parametric to 1 or 2, the notch or boost you have set will only affect about 150 to 250 Hz. No clarity. a 718 with a sm 30 mic beats 1200 any day, week, etc..don't waste your monies. PDF SETUP INFO FOR W2IHY 8 BAND EQ, EQ PLUS, and Yaesu FT-2000. There are situations where you may want to use one of the Heil ICM microphones or headsets made for iCOM using the Heil iC element. There are parametric EQ's in several Yaesu rigs, and it's great to have a good explanation of how they work, and how they should be set up for "communications audio". There are too many external path things which can botch up your signal, and those issues can't be corrected on your end. Try moving Menu 102 to 300, Menu 119 to 300 HZ, Menu 128 to 300. Quickly tap it for the other. Connecting a dynamic into your mic input will provide a nice short of the +8V DC power straight to ground. eHam.net is a community web site for amateur (ham) radio operators around the world. Do you want to sound like a 2.4 khz Ten Tec from 1974? Pay attention to the ALC.Compression On at, 1 or 2. FT-100Menu 16 (MIC EQ): Set to OFF initially. INITIAL SETTING OF THE FT 950 and HEIL PR microphoneFirst, you need to set the transmit bandwidth. Set EQ3 Frequency to 2100 Hz, EQ2 Level to +10, and EQ3 Bandwidth to 2. Just rename each file configuration when saving (DX, low cut, high cut etc.) Many calls a day come through the Heil Sound facility with RF issues." Yaesu FT-2000 Equalizer settings These have been tested using the MD-100 microphone. That was a misprint which I failed to correct. If there are any problems please let me know. Yaesu ftdx1200 EQ settings & W2IHY. 8-pin Round (IC-730/735/745/751/761/765/720/725/726/728/781/901/910/3200/7700/7800 etc. I'm getting comments that my mic gain is ok but too much bass in my voice. Good info, also if you have the free Yaesu PCC-950 rig control software you can setup and save the EQ settings in graph format. FTdx101mp EQ Settings maybe there is some one can use these settings and this is helpfull for the beginning. Using the Heil Sound wide frequency range microphones such as the PR 781, PR 30 or PR 40 you will want to roll off the low end as the preamp of the 950 does not handle a lot of bass response. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. That should move your bass setting up 100hz. I had an RF feedback problem with my old TS-850 when using a Heil BM-10 mic. Some nasty-sounding stuff, not to mention the deleterious tissue-heating effects on everyone so exposed. 125 -6. Yaesu FT-710 AESS - TX Audio Settings (video #13 in this series For now, I operate primarily on UHF/VHF in FM using . As mentioned above, be sure the main switch of the MD-100 is set to THRU to bypass any in mic settings and to use only the rig's settings. I guess that's not all that bad, but there is precious little information there, mainly sibilance. Sincerely 73 de Clinton Herbert, AB7RG. Of course, the voice signal is AC, so DC flows one direction while AC flows the other direction all on the same cable. I use these settings and it sounds very good i l. KG4TGP. Listen on your monitor receiver to be sure the audio quality is what you are trying to achieve. Or leave it off. You can adjust the parameters of the microphone audio. If you dont do that, all of these settings go back to zero. Sounds terrible on the product detector as well. Suddenly, there were just 3 pots! The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . Available Values: 1 ~ 10 Default Setting: 1 FT-950 O Page . Click hereto view pinout information for hundreds of rigs, mics, and connectors. AMC level: 55. Investing in outboard gear has become common place. Just contact your dealer to get the HSTA-706 Adapter Cable, and the Traveler should work perfectly using the factory default settings on the rig. Use one of our PR series professional balanced output microphones with the 3 pin XLR. The all important issue is the third filter where you achieve speech articulation. Also, the FT-950 does not have an audio input on the rear and the FT series are not balanced inputs but rather unbalanced. The first thing to set is the frequency that you need to affect. I used a PROC level of 25 and the mic gain to the 11 o'clock position. Do not confuse this with receiver bandwidth response. No you are correct. Options abound as how to tweak transmit audio to a precise sound. You want to boost that frequency, you adjust it to + 10dB. There are certainly many other methods of setting up the mic and processor, but I learned a lot by doing it this way. 73 Proc level: 20. Audacity is so much better than a tape recorder! Bandwidth Q 5 Menu 096 Bandwidth These also works great with the MH-31b8 original hand mic. Transceivers are well over $1000 as the normal. How's my audio ? www.k0bg.com. One thing Bob said that makes a lot of sense. Set Menu 51 (Equalizer) to 1 or 2 for DX work, 3 (best) or 4 for local rag-chews.
